PROFILE

田端志音
陶芸家
1947年生まれ。1985年より5年間、江戸時代から続く大阪の道具商「谷松屋戸田商店」に勤める。そこで数々の名品を実際に拝見する機会に恵まれ、その貴重な体験を通して1991年、陶芸の道へ。2004年、軽井沢に「志音窯」を構える。オリジナルの創作活動のほか、尾形乾山や北大路魯山人の写しにも精力的に取り組む。 

【近年の活動】
2006年以降、京都・野村美術館にて2年に1度(偶数年の11月)個展を開催。
自宅のギャラリーでも作品を公開。

【個展】
1997
「田端志音作陶展」サン・ギャラリー住恵(愛知)
「田端志音展」お茶道具・青芳堂(東京)
2001
「田端志音作陶展」サン・ギャラリー住恵(愛知)
「琳派のいろかたち」ギャラリー百屋(兵庫)
「田端志音作陶展」ギャラリー堂島(大阪)
2002
「田端志音作陶展」サン・ギャラリー住恵(愛知)
「田端志音作陶展」海老屋美術店(東京)
「田端志音陶展」酉福(東京)
「田端志音陶展」野村美術館(京都)
2003「田端志音作陶展」ざくろ坂ギャラリー・一穂堂(東京)
「琳派の陶展〜乾山写、仁清写の鮮やかな器〜」ギャラリー上方銀花(大阪)
「田端志音作陶展」サン・ギャラリー住恵(愛知)
2004
「田端志音 やきもの展〜琳派を今に生かす〜」銀座・一穂堂サロン(東京)
「田端志音作陶展」サン・ギャラリー住恵(愛知)
2005
「田端志音作陶展」ギャラリー堂島(大阪)
「田端志音作品展」野村美術館(京都)
「田端志音作品展」アートサロン・コカド(東京)
2006
「田端志音作品展」野村美術館(京都)
2007
「田端志音茶陶展」大丸心斎橋店 美術画廊(大阪)
「田端志音陶芸展」まるひろ川越店 美術画廊(埼玉)
2008
「田端志音作陶展 〜百人一首〜」野村美術館(京都)
2010
「田端志音作陶展 〜お茶時の器〜」野村美術館(京都)
2012
「田端志音 〜通〜」野村美術館(京都)
2013
「田端志音 和気の器」日本料理加瀬(名古屋)
2014
「田端志音 温楽」野村美術館(京都)
2015
「田端志音 琳派のかおり」柿傅ギャラリー(東京)
「田端志音 器の大中小」アートギャラリーOlus・Kyo(京都)
2016
「田端志音 和魂洋彩」ザ・クイーンズ・フィニッシングスクール(兵庫)
「田端志音 ノトキ」万平ホテル(長野)
「田端志音作陶展 和の器」野村美術館(京都)
2017
「田端志音 器の向こう」万平ホテル(長野)
2018
「田端志音 器のしつど」万平ホテル(長野)
「田端志音作陶展 本歌と写し」野村美術館(京都)
2019
「田端志音作陶展 万窯のはじまり」万平ホテル(長野)

TABATA Shion
Potter
Born in 1947, she worked at Tanimatsuya Toda Shoten, an antique art dealer running since the Edo period in Osaka for five years from 1985. There, she was blessed with the opportunity to actually see many masterpieces, and through this precious experience, she became a ceramic artist in 1991. In 2004, she established “Shiongama” in Karuizawa. In addition to creating original works, she is also actively involved in utsushi(*) of Kenzan OGATA ,Rosanjin KITAOJI and many others.

(*)“Utsushi” is a well-established concept in the world of Japanese ceramics. It’s an idea unique to Japan: it can’t be translated by words like “copy” or “epigone.” The Kano school, the most influential artistic school in the history of Japanese art, fostered many professional artists in their studios by teaching their techniques to people with direct blood connections, and they left us many superb works of art. The Rinpa school, which appeared later, is different in this respect. Rather than direct transmission of techniques, they were able to accomplish a transmission across time and space, without blood connection or even contact. It is during the time of the Rinpa school that we begin to see the emergence of the notion of utsushi.
In line with the meaning of the word [to copy], one copies the form of another piece. However, if a work is simply an imprecise reproduction, one can’t call it utsushi. Many artists polish their skills by making reproductions, and learn a lot about their predecessors by studying their work. However, for something to be an utsushi, which has the artist’s unique expressions, it has to extend beyond being a mere reproduction. Utsushi, as original artistic expressions, ought to offer up new ideas, display the creator’s individuality, and connect the past and future through the “present”.

【Recent activities】
Since 2006, she has held a solo exhibition at Nomura Art Museum on November in Kyoto once every two years.
Her works are also shown at her private gallery.

【Solo Exhibition】
2019
Manyo no Hajimari”, Manpei Hotel, Nagano
2018
Utsuwa no Shitsudo”, Manpei Hotel, Nagano
Honka to Utsushi”, Nomura Art Museum, Kyoto
2017
Utsuwa no Mukou”, Manpei Hotei, Nagano
2016
Wakonyousai”, The Queens Finishing School, Hyogo
NOTOKI”, Manpei Hotel, Nagano
Wa no Utsuwa”, Nomura Art Museum, Kyoto
2015
Rinpa no Kaori”, Kakiden Gallery, Tokyo
Utsuwa no Dai Chu Sho”, Art Gallery Olus Kyo, Kyoto
2014
Ongaku”, Nomura Art Museum, Kyoto
2013
Waki no Utsuwa”, Nihon Ryori KASE, Nagoya
2012
Tu”, Nomura Art Museum, Kyoto
2010
Ochaji no Utsuwa”, Nomura Art Museum, Kyoto
2008
Hyakunin Isshu”, Nomura Art Museum, Kyoto
2007
Shion Ceramics Exhibition”, Shinsaibashi DAIMARU Art Gallery, Osaka
Shion Ceramics Exhibition”, Kawagoe MARUHIRO Art Gallery, Saitama
2006
Shion Ceramics Exhibition”, Nomura Art Museum, Kyoto
2005
Shion Ceramics Exhibition”, Gallery DOJIMA, Osaka
Shion Ceramics Exhibition”, Nomura Art Museum, Kyoto
Shion Ceramics Exhibition”, Art Salon KOKADO, Tokyo
2004
Yakimono ~ Rinpa for the present”, IPPODO Salon, Tokyo
Shion Ceramics Exhibition”, Sun Gallery SUMIE, Aichi
2003
Shion Ceramics Exhibition”, Zakurozaka Gallery IPPODO, Tokyo
Rinpa Ceramics Exhibition ~vivid vessel of Kenzan Utsushi, Ninsei Utsushi”, Gallery Kamigata Ginka, Osaka
Shion Ceramics Exhibition”, Sun Gallery SUMIE, Aichi
2002
Shion Ceramics Exhibition”, Sun Gallery SUMIE, Aichi
Shion Ceramics Exhibition”, Ebina Bijutsu Ten, Tokyo
Shion Ceramics Exhibition”, Yuhaku, Tokyo
Shion Ceramics Exhibition”, Nomura Art Museum, Kyoto
2001
Shion Ceramics Exhibition”, Sun Gallery SUMIE, Aichi
Color and Shape of Rinpa”, Gallery Momoya, Hyogo
Shion Ceramics Exhibition”, Gallery DOJIMA, Osaka
1997
Shion Ceramics Exhibition”, Sun Gallery SUMIE, Aichi
Shion Solo Exhibition”, SEIHODO, Tokyo